![]() England's 1969 Rock World Comes Alive At Photo Show Ron Foley Macdonald On view at Halifax's
Viewpoint Gallery on Gottingen Street until March 30 is an
extraordinary photo show by Nova Scotian artist Eric Hayes.
Now based in Bridgewater, Hayes was a 23-year-old professional
snap man in Britain during the height of '60's rock culture,
shooting pictures of the likes of Mick Jagger, John Lennon,
The Who and Jimi Hendrix over a frenetic year-and-a-half when
London was still swinging at maximum velocity.
Those photos have lain dormant for more than thirty years
until Hayes gathered up the various scattered print and
negative sources. The result is an astonishing array of images
of rock's glory years, cradled between three of the most
important cultural events in the late '60's British popular
music calendar: The Rolling Stones TV special Rock and Roll
Circus in December 1968, the Stones free Hyde Park concert
in July of 69 and the massive Isle of Wight Festival the
following month.
Hayes' images from those three landmark events form the
core of his show at the Viewpoint. But that's not all. The
British Columbia native caught thrilling images of many other
major artists and groups of the time, including Steve Winwood
of Traffic and Blind Faith fame, Country Joe MacDonald, Joe
Cocker and Janis Joplin.
The photos managed to capture the enigmatic charisma of
these musical giants, giving us a stirring reminder that the
'60's really did have talent to burn. A heavily costumed John
Lennon, for example, on the set of Rock and Roll
Circus, practically pierces the camera's lens with a
penetrating stare that clearly sees through the ridiculousness
of his own fame. A showbizzy, white-suited Bob Dylan,
accompanied by The Band at the Isle of Wight appears to
already be in the process of deconstructing his own 'spokesman
for a generation' persona.
A series of shots of The Who in action reveal that band's
extraordinary intensity just as they were riding the crest of
their 'Tommy' rock opera popularity. A particular Hayes
favourite is drummer Keith Moon, whose flailing energy and
fondness for controlled substances eventually led to his
all-to-early demise in 1978.
The shots of Jimi Hendrix also poignantly suggest that the
first great rock era couldn't be sustained over the long run.
Hendrix's innovations and talent could barely be contained by
the four albums released in his lifetime; some musicians and
cultural analysts have been struggling in the guitarist's wake
ever since his premature passing in September 1970.
Hayes cover photography catches the personality of the band
perfectly, taking tea in a London backyard while partly
obscured by a fence; Denny's parents stand proudly out front
of the compound. The back cover photo reveals Fairport
gathered more intimately around a large, friendly table as
they dig into a simple but nourishing feast. Hayes allows the
band a decidedly un-glamourous and very domestic shot that
corresponds nicely with Fairport Convention's attempts to
reconcile the past with the present by gently blending
traditional folk music with contemporary rock instrumentation.
Each of the photos in the show seem utterly fresh and
astonishingly vivid, making it less an exercise in nostalgia
and more a celebration of living, dynamic images from what was
clearly a time of great and enduring vitality.
Eric Hayes' remarkable photography is available for
purchase from http://www.erichayes.ca/. Located at
2050 Gottingen Street across from the Marquee Club, the
Viewpoint Gallery's hours are Wednesday to Sunday noon to
five, and its web address is http://www.viewpointgallery.ca/. Call
902-420-0854 for more information.
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